It’s like a big ball of timey… wimey… stuff.

(From Irregular Webcomic: Shakespeare. Click for full-sized command of the English language.)

Okay, I am officially lost as to how these time shenanigans work.

The only way I can make sense of Shakespeare’s nervousness in the third panel, and make the punchline not a complete non-sequitur, is to come to the conclusion that once the timeline is fixed, Shakespeare will “return” to the 16th and 17th centuries.

The conceit of the Shakespeare theme has always been “if Shakespeare had been born 400 years later“. While it has obviously never precisely adhered to “real” history, aside from the impact Shakespeare had on the English language apparently being applied anyway, neither has it ever hinted that that “real” history ever existed, if that makes sense. Shakespeare was in the 20th and 21st centuries before the Irregular Crisis, and we’ve established that the Nazis lost in their timeline.

If I’m right about where Morgan-Mar is going with this, it raises far too many questions: How did Shakespeare get time-displaced from the 16th and 17th centuries? Why didn’t the Irregular Crisis return him there, and why would fixing World War II do so if the Crisis didn’t? How does he know he was displaced 400 years? If he retains his memory of his time in modern times (which would make Shakespeare’s characters of Ophelia and Mercutio named after their IWC counterparts instead of the other way around), which seems to be the most consistent way of doing things, wouldn’t that cause as much upheaval of the timeline as anything else, and potentially more than just keeping him in modern times?

On the other hand, perhaps we now have a glimpse of where Morgan-Mar was headed with Shakespeare and Ophelia’s relationship upgrade

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